The book tells the clashing of three very different persons who should have never meet, thus their encounter obviously leads to tragedy. It's a caustic and lucid portrait of the complexity of human relationships which gets quite disturbing as it displays with surgical precision the need to connect with the ones we love and the impossibili "Love" was addictive yet so painful and dark, I felt all the certainties tremble and the air stuffy and foul all around and inside me while I was trapped by it.
It's a caustic and lucid portrait of the complexity of human relationships which gets quite disturbing as it displays with surgical precision the need to connect with the ones we love and the impossibility to do so, the gap between our expectations and reality, not just about the world and our goals, but most of all, regarding those we care about some way or another.
It's such a heartbreaking book, the despair and hopelessness of the characters is palpable and all the reader can do is watch as hopelessly as them as they all head toward an unavoidable disaster. Annabel is a girl completely disconnected from reality which modifies everything that surrounds her and ends up trusting more in her distorted views of others and the world for she is unable to give herself to others and thus remains always a prisoner of herself and her delusions, a construction quite empty and lost instead of someone real.
Her husband, Lee, is a hypocrite, fake and unable to truly engage with anything or anyone.
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He's also a construction of himself, only quite different from the one Annabel makes him to be, yet even more empty than she. He 'loves' her out of sentimentality, guilt and ego yet doesn't understand her one bit and is unable to sacrifice himself for her, or anyone, even though he's unable to actually feel true pleasure or anything true at all so there wouldn't be anything to lose. Buzz is Lee's brother and Annabel playmate since both share a distorted view of the world, amoral and in which fantasy and empiricism are blended in one.
He's incestuous, violent and though he seems really passionate it's all fake, he's just theatrical and unable to empathise with others, and as in Annabel, the moment his fantasies collide with reality all his expectations are destroyed for dreams and fantasies only keep their vivid colours while imagined, the cross over to reality makes everything jaded, even worse, a failure without return. Obviously I like Annabel and Buzz, which is pretty fucked up since Buzz's supposed to be completely hateful, yet what I despise the most is Lee's lack of compromise and half hearted personality.
It was pretty clear from the first line and I knew I'd be sucked in helplessly. While slight, this book is not a quick read.
Writing, Poetry & Creativity | Angela T Carr, Dublin, Ireland
The layers of emotional denial and destruction that these characters have faced -- and perpetuate on one another -- can really only be evoked by Carter's lyricism. These are not characters that are likable, they are not really even very interesting; but the self-destructive behaviors in which they engage are. Carter illustrates this through emotional projection; characters work out their neuroses and problems on other characters. It's not healthy, it' While slight, this book is not a quick read.
It's not healthy, it's not easy to turn away. Criticisms of the book as cynical are ludicrous, given that Emily Bronte and Charles Dickens mined similar territory in their own novels with nary a cross word tossed their way. Perhaps it is the sexual frankness of the novel that makes people nervous?
The similarities are too prevalent to be coincidence, and perhaps that is what helped me keep focused on the larger picture of it all. I'm sure there's somewhat of a connection to the poem "Annabel Lee" by Poe, but I've no idea what that connection is just yet. View 1 comment.
Jul 15, Tristan Cordelia rated it it was amazing. Rich folk, on the other hand, are merely crazy and indulged. The three "One day, Annabel saw the sun and moon in the sky at the same time. The three major players in LOVE are of the "love generation", but though they cohabit together in close physical intimacy, they are all frighteningly alone, terrified that by the world outside not corresponding to the world inside their heads.
This story is utterly distressing - brilliantly so, thanks to Carter's incomparable way with words - but it is also occassionally funny. The line about baroque harpsichord music, being both totally unexpected and perfectly appropriate, is one of the funniest lines I've read; and the post-script, written by the newly-humerous and bawdy Carter of the 80s as opposed to the chilling earlys Carter of the novel itself rips into the characters with gleeful abandon.
This book was so well-written that I could have given it a fourth stars had the characters been more likable.
However, this is one of those stories where the characters are NOT supposed to be likable and this, in fact, works very well with the book. The characters are depicted so masterfully you could almost image knowing them in real life. And yet, these are highly flawed people with not enough redeeming qualities to make you truly like them. So I guess I could have given the book a better rati This book was so well-written that I could have given it a fourth stars had the characters been more likable.
So I guess I could have given the book a better rating. However, since I'm rating it not based on the worth of the book but rather based on my appreciation of it, I have to go with 3 stars. Because as much as I enjoyed Angela Carter's writing in Love, I always find it a bit hard to appreciate unlikable characters. If you're a fan of Angela Carter though, you don't want to miss this one. Dec 14, Kyle Muntz rated it really liked it.
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An incredibly bleak, painfully unpleasant novel about three unstable people going through the motions of being human. It's the earliest work I've read from Angela Carter, and gives us an image of the 60s as a gothic nightmare. It's a overwritten but beautifully overwritten, and full of gorgeous insights about what it means to try and fail to be human.
Probably the most impressive thing though is how atmospheric and compelling it all feels, despite some elements that bothered me about the charact An incredibly bleak, painfully unpleasant novel about three unstable people going through the motions of being human. Probably the most impressive thing though is how atmospheric and compelling it all feels, despite some elements that bothered me about the characterization.
This is probably as far back as I'll go in Carter's work as I'm mostly interested in her fantasy work , but it was fascinating to go back and see what she was doing in her earlier career, and also to get a reminder of how uncomfortable a story can be. Dec 05, Michelle rated it liked it. Such clever language makes imbibing the intricacies of their sadistic relationship palatable; but beware: their decline is steep, and threatens to leave the reader more damaged and depressed than merely thoughtful or maudlin in that oddly gratifying way.
That could just be me, though. Unofficial Angela Carter site Oct 09, Selena Chambers rated it liked it. This was my first, sit down, and meet and greet with the work of Angela Carter. I've done the academic skim of her oeuvre, and so LOVE didn't exactly fit what I'd come to expect of her work. I was expecting more fabulism and surrealism than naturalism.
In any case, the older Penguin version I have has a great afterword tha This was my first, sit down, and meet and greet with the work of Angela Carter.
In any case, the older Penguin version I have has a great afterword that made the entire novella worth it. Feb 05, Ben rated it really liked it. The beginning was a little shaky, but once the story was under way this thing read like a really stellar Belle and Sebastian song. I loved it! Sexual revolutionary why-nots, hash, Marxist nonsense, and a dash of magical realism. Crazy good story of fraternal fear and loathing in provincial Brittan with a really strange meta-narrative afterword at the end.
I read it in a day. Couldn't put it down. Jan 22, Sarah Lloyd rated it really liked it. While not quite as satisfying as her later novels, Love is filled with quotably brutal moments of the kind of lucid weirdness that you expect from Carter's work. I feel it's the better for the afterword, in which she reveals some of her own reservations regarding Love with the passage of 20 years.
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As a Carter fan, it's an essential read, but I wouldn't recommend it as an introduction to her work for those who haven't read her before. Jul 23, Joe rated it liked it. Three totally insane people living together, only one of them not diagnosed as insane. This story is difficult to follow for a couple of reasons.
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First the logic is that of the characters and second the writers vocabulary is much greater than mine. This is not causal reading. It's a haunting little book and I'll need to read it again to get to the heart of it. Carter trapped me in the world of her three unreliable narrators and I came away some what disturbed.
I don't know if I like it, but it certainly weights on me mind. Dec 05, Krista rated it really liked it. I think this is one of those books that needs a second reading. The writing is gorgeous, the characters are I read it in almost one sitting, but need time to process it. Feb 22, Ruth rated it really liked it.
I read and re-read this novel as a teenager, until my mother eventually decided it was sending me mad and confiscated it! Jan 16, Alison rated it it was amazing Shelves: I read an interview with Eileen Myles and she said this is the book she re-reads the most.
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I see why now. It's short and dark but packed with some pretty delicious complex lyricism. Nov 28, Tabitha Vohn rated it it was ok Shelves: the-cool-table , high-brow , brave-new-world-yo. TBC is a favorite. Carter's darkly lush writing is unprecedented, and I am always on the lookout for a story of a polygamous relationship that's told well because the concept to me is fascinating. So the premise of two brothers living with one girl in 's London was too delicious to pass up. Sadly, although the beauty of the language itself does not disappoint, the story itself made me want to read children's books and scour with a Brillo pad in the shower.